All Domenico Fetti Oil Paintings

Italian painter , Rome 1589 - Venice 1623 was an Italian Baroque painter active mainly in Rome, Mantua and Venice. Born in Rome to a little-known painter, Pietro Fetti, Domenico is said to have apprenticed initially under Ludovico Cigoli, or his pupil Andrea Commodi in Rome from circa 1604-1613. He then worked in Mantua from 1613 to 1622, patronized by the Cardinal, later Duke Ferdinando I Gonzaga. In the Ducal Palace, he painted the Miracle of the Loaves and Fishes. The series of representations of New Testament parables he carried out for his patron's studiolo gave rise to a popular specialty, and he and his studio often repeated his compositions. In August or September 1622, his feuds with some prominent Mantuans led him to move to Venice, which for the first few decades of the seventeenth century had persisted in sponsoring Mannerist styles (epitomized by Palma the Younger and the successors of Tintoretto and Veronese). Into this mix, in the 1620s?C30s, three "foreigners"??Fetti and his younger contemporaries Bernardo Strozzi and Jan Lys??breathed the first influences of Roman Baroque style. They adapted some of the rich coloration of Venice but adapted it to Caravaggio-influenced realism and monumentality. In Venice where he remained despite pleas from the Duke to return to Mantua, Fetti changed his style: his formalised painting style became more painterly and colourful.
 

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Domenico Fetti Parable of the Lost Drachma oil on canvas


Parable of the Lost Drachma
Parable of the Lost Drachma
Painting ID::  88459
  1618(1618) Medium Oil on wood cyf
  1618(1618) Medium Oil on wood cyf

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Domenico Fetti Parable of the Wicked Servant oil on canvas


Parable of the Wicked Servant
Parable of the Wicked Servant
Painting ID::  88976
  c. 1620(1620) Medium Oil on canvas Dimensions 61 x 44,5 cm cjr
  c. 1620(1620) Medium Oil on canvas Dimensions 61 x 44,5 cm cjr

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Domenico Fetti Hero and Leander oil on canvas


Hero and Leander
Hero and Leander
Painting ID::  89676
  between 1622(1622) and 1623(1623) Medium oil on panel cyf
  between 1622(1622) and 1623(1623) Medium oil on panel cyf

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Domenico Fetti The Parable of the Vineyard oil on canvas


The Parable of the Vineyard
The Parable of the Vineyard
Painting ID::  90408
  1618(1618) Medium oil on panel Dimensions Height: 76 cm (29.9 in). Width: 45 cm (17.7 in). cyf
  1618(1618) Medium oil on panel Dimensions Height: 76 cm (29.9 in). Width: 45 cm (17.7 in). cyf

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Domenico Fetti Idealbildnis eines Gonzaga oil on canvas


Idealbildnis eines Gonzaga
Idealbildnis eines Gonzaga
Painting ID::  92832
  um 1620 Medium oil on canvas Dimensions Deutsch: 101 x 88 cjr
  um 1620 Medium oil on canvas Dimensions Deutsch: 101 x 88 cjr

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     Domenico Fetti
     Italian painter , Rome 1589 - Venice 1623 was an Italian Baroque painter active mainly in Rome, Mantua and Venice. Born in Rome to a little-known painter, Pietro Fetti, Domenico is said to have apprenticed initially under Ludovico Cigoli, or his pupil Andrea Commodi in Rome from circa 1604-1613. He then worked in Mantua from 1613 to 1622, patronized by the Cardinal, later Duke Ferdinando I Gonzaga. In the Ducal Palace, he painted the Miracle of the Loaves and Fishes. The series of representations of New Testament parables he carried out for his patron's studiolo gave rise to a popular specialty, and he and his studio often repeated his compositions. In August or September 1622, his feuds with some prominent Mantuans led him to move to Venice, which for the first few decades of the seventeenth century had persisted in sponsoring Mannerist styles (epitomized by Palma the Younger and the successors of Tintoretto and Veronese). Into this mix, in the 1620s?C30s, three "foreigners"??Fetti and his younger contemporaries Bernardo Strozzi and Jan Lys??breathed the first influences of Roman Baroque style. They adapted some of the rich coloration of Venice but adapted it to Caravaggio-influenced realism and monumentality. In Venice where he remained despite pleas from the Duke to return to Mantua, Fetti changed his style: his formalised painting style became more painterly and colourful.

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